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Gohar points out for Vogue the jewelry that referenced Coco Chanel’s zodiac . In Japan for the latest exhibition of Chanel’s Mademoiselle Privé, artist Nadia . S/ had the opportunity revisit Mademoiselle Coco CHANEL’s residence with . Growing up in Cairo, Nadia Gohar was fascinated by a giant ostrich egg. .

The CHANEL Fall-Winter 2023/24 Haute Couture show took place early morning . Much like the sisters themselves — Nadia attends the party in a sequined . A mother-of-pearl spoon set from Gohar and her sister Nadia’s design .

Last May, she and her sister, culinary installation artist Laila Gohar, joined . While adapting to life at home, artist Nadia Gohar stays inspired by finding . Gohar points out for Vogue the jewelry that referenced Coco Chanel’s zodiac sign, and a locket inspired by the Paris store at 31 Rue Cambon. She knows by names the workshops who pleat the. In Japan for the latest exhibition of Chanel’s Mademoiselle Privé, artist Nadia Gohar immerses herself in the country’s creative spirit and reflects on how cultures can connect across .

S/ had the opportunity revisit Mademoiselle Coco CHANEL’s residence with painter/sculptor Nadia Gohar and photographer Maya Fuhr, as they admire the empowering energy of the iconic home. Discover the fascinating history that lies within the walls of 31 Rue Cambon, where the heart of the brand began, through the eyes of two artists as they . Growing up in Cairo, Nadia Gohar was fascinated by a giant ostrich egg. Painted cobalt blue, it was one of many strange objects that decorated her family home, and she remembers being captivated by its outsized proportions and peculiar beauty. The CHANEL Fall-Winter 2023/24 Haute Couture show took place early morning along the bank of the Seine. Models walked past us at a steady, cool pace—some sporting small wicker baskets filled with fresh flowers, others with their hands in their pockets and large sunglasses to block out the city’s sun.

Much like the sisters themselves — Nadia attends the party in a sequined Chanel suit, Laila in a pink satin Prada minidress, cut low in the back to reveal a (temporary) bean-shaped GOHAR tattoo — the items emanate a defiantly playful sense of luxury. A mother-of-pearl spoon set from Gohar and her sister Nadia’s design collection, with meringue swans and a tattooed potato. Photograph by Hugo Yu for The New Yorker

Last May, she and her sister, culinary installation artist Laila Gohar, joined forces to launch Gohar World, a playful tableware brand designed by artisans around the globe. The project’s latest chapter takes the label's aesthetic out of the dining room and into the street.

While adapting to life at home, artist Nadia Gohar stays inspired by finding beauty in everyday objects and decor. We are thrilled to share a sneak peek of her series in collaboration with S/magazine and Chanel. Here, Gohar masters a modern-day still life, combining Ready-to-Wear from Chanel’s Spring/Summer 2020 collection, along with beauty .

Nadia Gohar walks us through some of her favorite details from the Chanel métiers d’arts replica show.

Gohar points out for Vogue the jewelry that referenced Coco Chanel’s zodiac sign, and a locket inspired by the Paris store at 31 Rue Cambon. She knows by names the workshops who pleat the. In Japan for the latest exhibition of Chanel’s Mademoiselle Privé, artist Nadia Gohar immerses herself in the country’s creative spirit and reflects on how cultures can connect across . S/ had the opportunity revisit Mademoiselle Coco CHANEL’s residence with painter/sculptor Nadia Gohar and photographer Maya Fuhr, as they admire the empowering energy of the iconic home. Discover the fascinating history that lies within the walls of 31 Rue Cambon, where the heart of the brand began, through the eyes of two artists as they . Growing up in Cairo, Nadia Gohar was fascinated by a giant ostrich egg. Painted cobalt blue, it was one of many strange objects that decorated her family home, and she remembers being captivated by its outsized proportions and peculiar beauty.

The CHANEL Fall-Winter 2023/24 Haute Couture show took place early morning along the bank of the Seine. Models walked past us at a steady, cool pace—some sporting small wicker baskets filled with fresh flowers, others with their hands in their pockets and large sunglasses to block out the city’s sun.

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Much like the sisters themselves — Nadia attends the party in a sequined Chanel suit, Laila in a pink satin Prada minidress, cut low in the back to reveal a (temporary) bean-shaped GOHAR tattoo — the items emanate a defiantly playful sense of luxury. A mother-of-pearl spoon set from Gohar and her sister Nadia’s design collection, with meringue swans and a tattooed potato. Photograph by Hugo Yu for The New Yorker

Last May, she and her sister, culinary installation artist Laila Gohar, joined forces to launch Gohar World, a playful tableware brand designed by artisans around the globe. The project’s latest chapter takes the label's aesthetic out of the dining room and into the street. While adapting to life at home, artist Nadia Gohar stays inspired by finding beauty in everyday objects and decor. We are thrilled to share a sneak peek of her series in collaboration with S/magazine and Chanel. Here, Gohar masters a modern-day still life, combining Ready-to-Wear from Chanel’s Spring/Summer 2020 collection, along with beauty .

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nadia gohar chanel|nadia gohar coco chanel

nadia gohar chanel|nadia gohar coco chanel.

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