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0 · peter marino architecture
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7 · chanel interior
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The lighting for the Chanel store is the customer's first visual impression and is very important. It will be low, subtle and mostly natural. Natural light is very flattering and . 5 powerful colours Chanel are used in her fashion, jewellery and bag designs: black – accentuates the essential, colour of elegance, symbol, feminity. white – symbolises purity, . The lighting for the Chanel store is the customer's first visual impression and is very important. It will be low, subtle and mostly natural. Natural light is very flattering and saves on costs, it will give the environment a bright space to be comfortable in. 5 powerful colours Chanel are used in her fashion, jewellery and bag designs: black – accentuates the essential, colour of elegance, symbol, feminity. white – symbolises purity, catches the light and enhances the beauty. beige – the colour of outdoor, warm sand and the beach Gives neutrality to black and white.
Throughout all the projects, background texture and lighting are used to enhance the Chanel collections. Marino puts equal emphasis on interiors, and exteriors, down to the tiniest details.The atrium and its magnificent staircase contribute significantly to the quality of the interior spaces. ORY.architecture creates a pleasant atmosphere with great sensitivity thanks to Distylight’s lighting concept.
Entirely designed by lauded New York City-based architect Peter Marino, the monolithic structure has an all-black façade composed of lava stone and black glass, and this is briefly extended indoors, before being transformed into lighter stone and a . Marino “dressed” the interior in crackled lacquer, textured plaster, ebonized oak, and additional gleaming marble. Bespoke luxury—enriched by the motifs of pearls, folding screens, and mirrors—pervades the three levels devoted to sales.
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Client: Chanel; Idea: Light that forms a counterpoint with the smooth, almost virtal appearance of the pavilion, and superb technical integration. With: Zaha Hadid Architects, London, Arup, London INTERIOR: BY A WINDOW. Models Rianne Van Rompaey, Mica Argañaraz and Louise de Chevigny wearing the Spring-Summer 2021 Ready-to-Wear collection. Part of a series of 12 scenes photographed by Inez & Vinoodh. #CHANELSpringSummer A gray mottled silk carpet and white lighting fixtures, designed by Patrice Dangel, set off furniture ranging from a copy of a 1930s-era glass-and-metal console rescued from a Chanel boutique,.LOCATION: DUBAI, UAE. USE: MALLS & RETAIL. SCOPE: INTERNAL LIGHTING DESIGN. Chanel’s first beauty and fragrance store in the Middle East is located in the Fashion Avenue extension at The Dubai Mall. The 130 m2 space follows the aesthetic of .
The lighting for the Chanel store is the customer's first visual impression and is very important. It will be low, subtle and mostly natural. Natural light is very flattering and saves on costs, it will give the environment a bright space to be comfortable in. 5 powerful colours Chanel are used in her fashion, jewellery and bag designs: black – accentuates the essential, colour of elegance, symbol, feminity. white – symbolises purity, catches the light and enhances the beauty. beige – the colour of outdoor, warm sand and the beach Gives neutrality to black and white. Throughout all the projects, background texture and lighting are used to enhance the Chanel collections. Marino puts equal emphasis on interiors, and exteriors, down to the tiniest details.The atrium and its magnificent staircase contribute significantly to the quality of the interior spaces. ORY.architecture creates a pleasant atmosphere with great sensitivity thanks to Distylight’s lighting concept.
Entirely designed by lauded New York City-based architect Peter Marino, the monolithic structure has an all-black façade composed of lava stone and black glass, and this is briefly extended indoors, before being transformed into lighter stone and a .
Marino “dressed” the interior in crackled lacquer, textured plaster, ebonized oak, and additional gleaming marble. Bespoke luxury—enriched by the motifs of pearls, folding screens, and mirrors—pervades the three levels devoted to sales.
Client: Chanel; Idea: Light that forms a counterpoint with the smooth, almost virtal appearance of the pavilion, and superb technical integration. With: Zaha Hadid Architects, London, Arup, London INTERIOR: BY A WINDOW. Models Rianne Van Rompaey, Mica Argañaraz and Louise de Chevigny wearing the Spring-Summer 2021 Ready-to-Wear collection. Part of a series of 12 scenes photographed by Inez & Vinoodh. #CHANELSpringSummer A gray mottled silk carpet and white lighting fixtures, designed by Patrice Dangel, set off furniture ranging from a copy of a 1930s-era glass-and-metal console rescued from a Chanel boutique,.
peter marino architecture
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chanel interior lighting|chanel interior
